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A remarkable instance of long-windedness: While there is often a virtue in brevity there is more often a vice in prolixity. Writing should avoid repetition and restatement.
On the whole, a concise but well thought out response will score higher marks than a sprawling and rambling composition.
More specifically, sentences which are too long, or too complex, often prove to be confusing. On the surface, these kinds of sentence may look impressive, but they often come in for critical censure. In his book, Composition and Punctuation familiarly explained,Justin Brenan discussed a classic example of the long-winded style of writing.
I Thought that I had exhausted this subject. Yes, I believed that I had furnished the most glaring examples, but here is one that eclipses them all, and I give it because you cannot have a better lesson. The Editor of the Review comments, in strong terms, on the numerous faults of this sentence, and thus concludes his strictures, "Finally we would ask whether 'all the other chiefs' had been laid low in the yearor at the age of eighty, or both?
We have seldom seen a worse piece of writing than this, in whatever way it be contemplated.
Such an exhibition is calculated to injure even a respectable author like him, because it might prejudice the public against his.
Now I shall offer no amendment. Study my directions for correcting long-windedness, and you can make this crude mass of confused relatives perfectly intelligible, and pleasing to read, by a proper distribution of the members, and a little exercise of judgment in connection.
This, I say over again, is the best way to improve your own style. Justin Brenan, Composition and Punctuation familiarly explained,pp.The Discourse of Paradigm: Constructivism in the works of Cage The subject is contextualised into a capitalist narrative that includes “Reality is part of the paradigm of language.
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The subconstructivist paradigm of narrative and capitalist dialectic theory Agnes O. Drucker Department of English, Harvard University Linda G.
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